domingo, 30 de enero de 2011

[L559.Ebook] PDF Download Chris Tomlin: Hello LoveFrom Capitol christian

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Chris Tomlin: Hello LoveFrom Capitol christian

  • Published on: 2008-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: .38" h x 9.10" w x 11.52" l, .94 pounds
  • Binding: Paperback
  • 127 pages

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viernes, 21 de enero de 2011

[D962.Ebook] PDF Ebook Learning UML 2.0, by Russ Miles, Kim Hamilton

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"Since its original introduction in 1997, the Unified Modeling Language has revolutionized software development. Every integrated software development environment in the world--open-source, standards-based, and proprietary--now supports UML and, more importantly, the model-driven approach to software development. This makes learning the newest UML standard, UML 2.0, critical for all software developers--and there isn't a better choice than this clear, step-by-step guide to learning the language."
--Richard Mark Soley, Chairman and CEO, OMG

If you're like most software developers, you're building systems that are increasingly complex. Whether you're creating a desktop application or an enterprise system, complexity is the big hairy monster you must manage.



The Unified Modeling Language (UML) helps you manage this complexity. Whether you're looking to use UML as a blueprint language, a sketch tool, or as a programming language, this book will give you the need-to-know information on how to apply UML to your project. While there are plenty of books available that describe UML, Learning UML 2.0 will show you how to use it. Topics covered include:



  • Capturing your system's requirements in your model to help you ensure that your designs meet your users' needs


  • Modeling the parts of your system and their relationships


  • Modeling how the parts of your system work together to meet your system's requirements


  • Modeling how your system moves into the real world, capturing how your system will be deployed


Engaging and accessible, this book shows you how to use UML to craft and communicate your project's design. Russ Miles and Kim Hamilton have written a pragmatic introduction to UML based on hard-earned practice, not theory. Regardless of the software process or methodology you use, this book is the one source you need to get up and running with UML 2.0.



Russ Miles is a software engineer for General Dynamics UK, where he works with Java and Distributed Systems, although his passion at the moment is Aspect Orientation and, in particular, AspectJ. Kim Hamilton is a senior software engineer at Northrop Grumman, where she's designed and implemented a variety of systems including web applications and distributed systems, with frequent detours into algorithms development.

  • Sales Rank: #266402 in Books
  • Brand: Brand: O'Reilly Media
  • Published on: 2006-05-05
  • Released on: 2006-05-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.19" h x .62" w x 7.00" l, 1.03 pounds
  • Binding: Paperback
  • 290 pages
Features
  • Used Book in Good Condition

About the Author

Russell Miles is a software engineer for General Dynamics UK where he works with Java and Distributed Systems, although his passion at the moment is Aspect Orientation and in particular AspectJ. To ensure that he has as little spare time as possible, Russ contributes to various open source projects while working on books for O'Reilly. He currently is studying at Oxford University in England for an MSc in Software Engineering.

Kim Hamilton is a senior software engineer at a major aerospace corporation, where she has designed and implemented a variety of systems, including web applications and distributed systems. Kim has a Master's in Applied Math and Computer Science from Cornell University.

Most helpful customer reviews

18 of 18 people found the following review helpful.
A great book, not just for Java programmers!
By Takahashii
I'm a junior Java programmer and the main reason why I came into contact with UML is because some of the major Java IDE's like Sun Java Studio and NetBeans have fully adopted support for UML modeling. Even though the tutorials on the Sun and NetBeans website give you a very good heads up and despite the fact that there are many UML tutorials available on the web I wanted more. Both a learning guide as well as some good reference.

And thats what I found in Learning UML from O'Reilly. What I like best about this book is that even though it covers the entire UML 2.0 spectrum it doesn't try to cover every little detail which don't add to the learning experience. Instead it gives you clear links for further reading or browsing (for example; it covers some of UML's history and gives you links for more detailed stories).

Another very important part for me is the way the book is setup. It seperates the different diagrams and follows a very logical order. From Use Case to Activity, Class (both regular and advanced), Object, Sequence, Communication, Timing, Component, State and Deployment. And because each chapter covers one diagram (with the exception of the class diagram which covers 2 chapters) its very easy to use this book both as learning tool as well as reference.

And the reason why I'm writing up this review.. This book assumes that the reader is already somewhat familiar with Object Oriented (OO) programming as well knows a little about Java. Examples where they show how some code snippets functionality are being displayed in a model are based on Java. However, despite that detail it doesn't result in a book which is only usable for Java (-like) programmers.

So summing up: A great book to learn UML and use as reference.

0 of 0 people found the following review helpful.
One the of best Printed UML Tutorials
By TP_FAN
I knew little about UML and its Diagrams before this book.

This book explains you most of the fundamental concepts in UML, most importantly, the relationship between these diagrams and concepts.

Wording is concise, yet precise (as a primer book on UML). Now I can use UML designing my software project!

Great Book for UML dummies! 5 Stars!

2 of 2 people found the following review helpful.
Excellent Book. 2 thums up !!
By Sebastian Carneiro
Excellent book. Entertaining, not distracting with formal details or innecessary stuff that only appears in the UML specification. This book will give you excellent practical insight on the stuff that matters in the day to day development using UML.

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sábado, 15 de enero de 2011

[Z757.Ebook] Free PDF The Scarlet Letter: A Reading (Twayne's Masterwork Studies Series), by Nina Baym

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The Scarlet Letter: A Reading (Twayne's Masterwork Studies Series), by Nina Baym

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The Scarlet Letter: A Reading (Twayne's Masterwork Studies Series), by Nina Baym

Written in an easy-to-read, accessible style by teachers with years of classroom experience, Masterwork Studies are guides to the literary works most frequently studied in high school. Presenting ideas that spark imaginations, these books help students to gain background knowledge on great literature useful for papers and exams. The goal of each study is to encourage creative thinking by presenting engaging information about each work and its author. This approach allows students to arrive at sound analyses of their own, based on in-depth studies of popular literature.

Each volume:

-- Illuminates themes and concepts of a classic text

-- Uses clear, conversational language

-- Is an accessible, manageable length from 140 to 170 pages

-- Includes a chronology of the author's life and era

-- Provides an overview of the historical context

-- Offers a summary of its critical reception

-- Lists primary and secondary sources and index

  • Sales Rank: #3210138 in Books
  • Brand: Brand: Twayne Publishers
  • Published on: 1986-09
  • Original language: English
  • Number of items: 1
  • Dimensions: .46" h x 5.43" w x 8.41" l,
  • Binding: Paperback
  • 116 pages
Features
  • Used Book in Good Condition

From the Back Cover
Together with her own thought-provoking reading of the text, Professor Baym offers a comprehensive review of previous critical responses to 'The Scarlet Letter, ' a chronology, a bibliography, and an index. Ultimately, this critical monograph is an invitation to read and appreciate Hawthorne at his best.

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1 of 1 people found the following review helpful.
The Best Introductory Book On The Scarlet Letter
By Mark C. Jones
Though I'm no expert and though I hold no Ph.D in either American or literary studies, I will guess that Nina Baym's little book on The Scarlet Letter is the best introduction to Hawthorne's classic novel. Miss Baym writes in a direct and jargon-free style. If she has an axe to grind, it might be that she enjoys discussing TSL as a feminist book. What makes her approach so refreshing is that she admits Hester is not a perfect person. Baym admits that, by the end of the book, both Hester and the Puritans have learned important lessons about compromise and consensus.

The need for consensus is, for Baym, Hawthorne's major theme in the book. Close behind that idea is his preoccupation with the theme of sympathy. Baym explains that Hawthorne believed all of us share the same common human nature, which enables us to sympathize with each other. Any social and political view that denies that common bond--such as what the Puritans held--is untenable and unsustainable. Laws and morals should exist to console and inspire, rather than to punish and demean.

The book's two strongest chapters are Chapter 3 - The Characters and Chapter 4 - The Scarlet Letter. In chapter 3, Baym makes the helpful observation that Chillingworth is an alter ego to Dimmesdale, and Pearl is an alter ego to Hester. She insists that these alter egos are not flesh-and-blood characters but allegorical figures that force Hester and Dimmesdale to confess their sin and rejoin society. In Chapter 4, Baym argues that the scarlet letter is a focal point for disagreements about Puritan laws and laws of Nature. She insists that the scarlet letter as a symbol underlines the theme that no one set of laws is superior to another without consensus.

The final chapter about The Scarlet Letter and the Custom House essay that precedes it is short but thorough. Baym's placement of this chapter at the end of the book implies her view that the Custom House essay has little to do with the novel. She admits that you can read either individually without missing any meaning. She admits, however, that to read them together will alter your view of both pieces. Most persuasive is her claim that the strongest link between the essay and the short novel is Hawthorne's comparison of his career in the custom house with Hester's situation with the Puritans. Too many high school instructors and college professors are still forcing students to find numerous and complex links between the essay and the book when clearly those links do not exist. Baym's comments on this subject definitely put the debate to rest.

Baym's second chapter about the setting of the novel is a little bit more specialized in its focus. It is also more critical of Hawthorne's art than any of the other chapters. Baym shows how Hawthorne's handling of Puritan history in TSL was adequate but, in several cases, sloppy. Baym forgives Hawthorne his occasional mistakes of history, but she is not as forgiving about Hawthorne's inaccurate understanding of Puritan theology and religious customs. This part of the book will probably seem dry to most non-scholars, though her understanding and explanation of actual Puritan theology is very useful and enlightening.

If you can still find a copy of this book and you have any interest in The Scarlet Letter, you should read this and keep it as a reference volume. Baym's insights on Hawthorne's book will make you rediscover the book; they will also make you wonder whether or not the Puritan bloodspot of intolerance--so far behind us in time--still affects our laws and policies.

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viernes, 14 de enero de 2011

[S281.Ebook] Ebook Oneself as Another, by Paul Ricoeur

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Oneself as Another, by Paul Ricoeur

Paul Ricoeur has been hailed as one of the most important thinkers of the century. Oneself as Another, the clearest account of his "philosophical ethics," substantiates this position and lays the groundwork for a metaphysics of morals.

Focusing on the concept of personal identity, Ricoeur develops a hermeneutics of the self that charts its epistemological path and ontological status.

  • Sales Rank: #247563 in Books
  • Published on: 1995-01-01
  • Released on: 1995-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.12 pounds
  • Binding: Paperback
  • 374 pages

From Publishers Weekly
Probing to the heart of selfhood, Ricoeur finds otherness. In this eminent thinker's theory of personhood, the self is a character-narrator of its own history, its autonomy intimately bound up with solicitude for one's neighbors and with justice for each individual. Professor emeritus at the University of Chicago, Ricoeur reads life histories as literary narratives and attempts to show how practical wisdom should flow from our intuitive moral judgments of what the good life might be like. His ethics of reciprocity and caring draws freely on the whole of Western philosophy, from Plato, Aristotle and Greek tragedy to Heidegger, language theory and John Rawls. An exciting work for specialists and advanced students, this dense, difficult treatise, which cuts across philosophy, semantics, literary theory and social science, will daunt the general reader.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
The central theme here is the concept of personal identity, within which Ricoeur examines three major issues: the idea of self, of identity or sameness, and of relation to that which is not self. His intention is no less than a hermeneutics of the self, and toward this end he accomplishes much. This is not reading for the philosophical novice, but those familiar with Ricoeur's writings, or those who have a thorough understanding of the concepts employed here, will find this a rich and rewarding book. Based on Ricoeur's 1986 Gifford Lectures, this is recommended for academic libraries with comprehensive programs in philosophy.
- Terry Skeats, Bishop's Univ. Lib., Lennoxville, Quebec
Copyright 1992 Reed Business Information, Inc.

Language Notes
Text: English (translation)
Original Language: French

Most helpful customer reviews

0 of 0 people found the following review helpful.
THE SELF'S MULTI-LAYERED IDENTITY
By barryb
“SELFHOOD” has a multi-layered identity consisting of: “trait-sign-model”; motivational-base-of-attestation”; “disposition”; “phronetic-stance-of-loyalty”; & “universal-narrative-work-space”. All of these layers are discussed in detail by Ricoeur; and often, with corresponding Greek concepts.

This “multi-layered-self” has as its task: the “emplotment-of-praxis-positing”. Every aspect of this “intentionality” also gets fully addressed by Ricoeur. It has its own series of: “narrative-reference”; “evaluating-historical-possibilities”; “evaluation-of-attestation”; “dianoia-of-disposition”; & then “configured-emplotment”

This “multi-layered-emplotment” has an internal inertia of “REFLEX”. It constitutes a “folding-back” upon the “multi-layered-self” with a “multi-layered-attribution”; which could be any of the following: esteem; disteem; contingency-qualifications; & “competing-posited-projects”

In other words, this undertaking was “massive”. So do not expect easy reading or easy appropriation of his ideas. Instead, expect engagement with the text, a little additional vocabulary work; and then, ultimately; a feeling of “accomplishment”, for having gone down this road with Ricoeur. Dig in and enjoy the rewarding struggle. 5 stars for this profound thinker.

26 of 27 people found the following review helpful.
Who Am I as Another? A self.
By Charles W. Murry
Without a doubt, Paul Ricoeur's "Oneself as Another" is dense and indicative of Ricoeur's expansive familiarity with myriad philosophical trajectories and traditions, from Ordinary Language Philosophy to Phenomenology to Deconstructionism, to name a few. It is this philosophical fluency, which allows Ricoeur to articulate an extensive philosophy of the self, an inquiry into the nature of the identity of the human person. Given the sections to which my inquiry is primarily confined (Studies 5-7), it goes without saying that such a review as my own can hardly do justice to this particular other, who is Ricoeur, or to the extent of his philosophy of self. I will, however, attempt to draw out what I view as essential to these sections, which necessarily presuppose that which leads up to the current issues and anticipates future ones.

The project that Ricoeur engages in is an arduous one, though it is taken for granted in everyday language. The "I" of the person in common parlance asserts itself as one who is--an ontological and unambiguous reality as real and as given as the air that "I" breaths. Ricoeur's desire is to transcend the hegemony of "I," however, and to articulate a philosophy of self where the "I" is neither the first principle, but nor is it simply another "separate further fact." In other words, Ricoeur seeks to develop a conceptualization of selfhood that is neither the conventional exalted ego identified by Descartes, nor one which is the utterly humiliated and reduced self of deconstructionist philosophy. A self conceived in the former terms exhibits god-like status and, without the support of a trusting God to ensure one is not being deceived, that god-like status (of being an ontological reality) is ultimately all that can be conceived of as certain and a solipsistic attitude of suspicion is difficult if not impossible to avoid for all that is deemed other. A self understood in terms of the latter deconstructionist thought echoes the Nietzschean assertion regarding perspectivalism where no ontological realities are to be found. Instead, only a fabricated and utterly contingent person (if it can be called such) is present, and who really amounts to not much more than a grammatical convenience and semantic fluke. In either case meaning and value meet either a nihilistic fate or a narcissistic existence. Meaning and value, perhaps, can be construed here in terms of Ricoeur's project of hermeneutical and phenomenological descriptions of oneself as another, respectively. With regard to the two fates, I understand the latter in terms of the essential turn to the subject where the self becomes first principle, the primary datum by which and through which all other reality is "given" meaning, and the former as the deconstructionist paring away at the self until nothing remains but a series of chance, albeit intrinsically neutral, events, i.e. no self as such.

Ricoeur sees in this philosophical quagmire of self a confrontation between the concept of identity as "sameness" (Latin idem) and identity as "selfhood" (Latin ipse). When approached from a foundationalist point of view, a posited ontological self threatens the possibility of diversity within and outside of that self. Any kind of change is dangerous insomuch as it threatens the sameness which constitutes that self. Ricoeur cited for example the notion of self as understood by Locke as demonstrating such a problem. For Locke, substantial identity which corresponds to the ability to identify the self-same over time, is bound up with memory, and memory becomes substantive reflection in the moment where in the end sameness prevails. Ricoeur comments that Locke's approach marks "a conceptual reversal in which the selfhood was silently substituted for sameness" (126). When approached from the point of view of deconstruction, where no substantive self is to be found (i.e. no principle of sameness which Ricoeur will refer to as permanence in time) the self is fleeting and elusive, an epiphenomenon that is traced to physical events, brute and neutral facts, which are hermeneutically vacuous. As representative of this line of thought, Ricoeur offers the example of Hume (and later Derek Parfit) whose doubt and suspicion render the verdict that the self is an illusion. Hume only finds "a diversity of experiences and no invariable expression relative to the idea of a self" when he enters "most intimately" into himself (127).

Part of the drive for this philosophy of self for Ricoeur, then, is the desire to formulate an answer to the question of selfhood that mediates between Locke's substantive sameness, which leaves no room for alterity without destroying the self that is constituted by uninterrupted continuity, and Hume's illusory self, which Hume is unable to find upon looking for it. In objection to Hume's nihilistic analysis and conclusion, Ricoeur is quick to point out that there is, indeed, "someone who claims to be unable to find anything but a datum stripped of selfhood [heat, cold, any perception in the memory]; someone who penetrates within himself, seeks and declares to have found nothing" (128). What then drives us to impose an identity on successive sense perceptions and to "assume that we possess an invariable and uninterrupted existence during the entire course of our life" to which some kind of sameness of self can be posited? (127).

This drive to impose an identity, to ask the question "Who am I?" (regardless of the answer), is the essential hinge around which Ricoeur's philosophy of self revolves because it asserts over against ontological certainty and deconstruction emptiness an agent "who" asks. Yet, this "who" who asks is always a "who" who acts; further, this self who acts is someone recognizable, reidentifiable (either by oneself or by another), and such re-cognition and re-identification only become necessary where sameness is threatened: this threat Ricoeur identifies as time. Of this Ricoeur says: "Looking back, the greatest lacuna in our earlier studies most obviously concerns the temporal dimension of the self as well as of action as such" (113). Time is an implicit dimension in action, thus identity. But what provides that essential "permanence in time" to which the self can look to as a composite whole, a singular self, and not simply a "separate further fact"? The answer to this question involves a combination of phenomenological and hermeneutical descriptions of and prescriptions for the self and the placing of selfhood in between a dialectic of idem and ipse, that is, of sameness and selfhood. This is accomplished by positing that identity is rooted in narrative. Narrative is by definition temporal. For Ricoeur, then, personal identity, the self, "can be articulated only in the temporal dimension of human existence" (113-114). Narrative becomes the mediator between description and understanding (and eventually prescription), between idem and ipse, and between the self and the other.

Ricoeur's reliance on the phenomenological tradition is evident in the very title Oneself as Another as it is throughout the work. This phrase is not simply (or only) a reference to an analogical relationship signified by "as," between oneself and other, but an indication of the project as a phenomenological endeavor from start to finish. The "I" so common in everyday language, with its conventional tie to the Cartesian tradition is bracketed in an effort to resolve paradoxes regarding identity. The self, then, is not approached as an "I," but as an experienced self--as something that constitutes substantive appearance over time.

The self as rooted in action becomes the question of "who?" acts and how actions are always interactions. The encounter time and again with such "facts" of life (i.e. actions) acquire meaning only in the context of acquired habits and acquired identifications. That is to say, our experiences are always interpreted in the context of one's previous encounters with the phenomena corresponding to the experience. This, of course, brings oneself back to the experience of that self and points to the title's deeper phenomenological presuppositions. Just as we cannot experience a "chair" as meaningful object crafted for the purpose of sitting without prior experiences with items of this type, neither can we know ourselves except through encounters with other such phenomena--a history of encounters that teach us what a self is, hence, oneself as another.

What other philosophical approaches (and theological approaches as well) have sought is substantive reference, an ontological basis for the self where the self is the starting place, the origin, the point of departure. By introducing the narrative identity (or the temporal dimension) into the constitution of the self Ricoeur has attested that the self is something which cannot be an ontological point of origin out of which everything else is known, but is rather the destination arrived at--and still only to find that the destination is not final, but is only layover. Perhaps in theological terms, the self is the "already" and the "not yet" of the person.

The difference between person and self as implied in Ricoeur's analysis is a distinction between "what" I am and "who" I am. Ricoeur's project is in the latter, but to provide an ontological basis of the self, (i.e. to avoid a deconstructionist and nihilistic spiral into nothingness), the whatness of "who I am" (idem) must remain part of this equation of identity. It is the difference between either a meon-ontological collapse into something (vis-à-vis the deconstructionist project) or an ontological collapse into solipsistic ego (via traditional Cartesian notions of self, or better expressed in Hume and Parfit). Narrative theory provides the mediation between the descriptive actions that constitute character and the intentional self-constancy that constitutes selfhood. The person is one who is dependent upon that other for a guiding hermeneutic and is fragile insofar as authentic selfhood is contingent upon keeping one's word.

5 of 5 people found the following review helpful.
An amazing analyst
By Lazy reviewer
Ricoeur takes up the question of self-identity in this book, and probes the relationship of sameness or personal stability to selfhood or reflexive self-narration. It extends the ideas of his earlier work, especially _Time and Narrative_. Ricoeur habitually works within the traditions of phenomenology and hermeneutics, and in this book [as in many others] is occupied in doing critique of the analytic writers on action, of Kant, and of phenomenology. He generates a stance that can uncover aporias rivaling [and as far as I know, deeper than] those found by post-structuralists, while holding that the subject is not just a discursive effect and is more profoundly ethical. His critical foci seem oddly chosen, since the more obvious scholars for critique would be Heidegger and Levinas, neither of whom is really central to his argument. Perhaps he was influenced by the fact that this book is an elaboration on the Edinburgh Lectures, which might naturally focus on analytic philosophy, and perhaps he is trying, as usual, to find grounds for mediating rival traditions and retaining what is valuable in each.

Ricoeur is worth study because of his conscientious and constructive critiques. His turns of thought are persuasive, impressive, and valuable even to readers who are not professional philosophers of any stripe [such as myself]. The book is difficult but pretty accessible.

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sábado, 8 de enero de 2011

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Title: Reconstructing Gender - A Multicultural Anthology - Second Edition. Binding: Paperback Publication date: 2000 Pages: 591

  • Sales Rank: #8174864 in Books
  • Published on: 2000
  • Binding: Paperback

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lunes, 3 de enero de 2011

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Pomfret Towers: A Virago Modern Classic (Virago Modern Classics), by Angela Thirkell

Pomfret Towers, Barsetshire seat of the earls of Pomfret, was constructed, with great pomp and want of concern for creature comforts, in the once-fashionable style of Sir Gilbert Scott's St Pancras station. It makes a grand setting for a house party at which gamine Alice Barton and her brother Guy are honoured guests, mixing with the headstrong Rivers family, the tally-ho Wicklows and, most charming of all, Giles Foster, nephew and heir of the present Lord Pomfret. But whose hand will Mr Foster seek in marriage, and who will win Alice's tender heart? Angela Thirkell's classic 1930s comedy is lively, witty and deliciously diverting.

  • Sales Rank: #71716 in Books
  • Brand: Virago
  • Published on: 2014-10-14
  • Released on: 2014-10-14
  • Original language: English
  • Dimensions: 7.75" h x .75" w x 5.00" l, .55 pounds
  • Binding: Paperback
  • 304 pages

Review
A perfect balance of satirical observation and chocolate-box charm ... Thirkell's novel is one of the cosiest and funniest reads this winter―The Lady

Angela Thirkell is perhaps the most Pym-like of any twentieth-century author, after Pym herself

About the Author
Angela Thirkell (1890-1961) wrote many works of fiction and non-fiction, including twenty-nine 'Barsetshire' novels, which won her great popularity and acclaim. The first of these, High Rising, was published in 1933. Her relatives included Edward Burne-Jones, Rudyard Kipling and Stanley Baldwin, and her godfather was JM Barrie. She was twice married and had four children.

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13 of 13 people found the following review helpful.
One of my favorite Barsetshire books
By Amazon Customer
I have read almost all of Angela Thirkell's books. Pomfret Towers was the first of her Barsetshire novels that I read, and it continues to be one of my favorites. The characters are so memorable - Sally, Alice, Gillie, Lord and Lady Pomfret, Merry, Hermione and her wretched son and burdened daughter - the list goes on an on. The storyline centers around a pre WWII long weekend at Pomfret Towers and relationships that form as a result. Highly recommended for anyone who is already a reader of Thirkell or those who love a good country house read.

1 of 1 people found the following review helpful.
Good writer, but slow for me.
By D. Frey
I gave this 3 stars because the author is a good writer----it's just that this book was 1st published in 1938 England and there are many references to things that must have been obvious to pre WWII English readers, but I couldn't understand. And after a while, I didn't want to. Lots of talking, witty for the time, I guess. Nothing much happens while I was reading. I soon gave up. Maybe I should have stuck with it until something actually happened-----if anything ever did. Oh, well.

2 of 3 people found the following review helpful.
and I really enjoyed them, then
By CSB
I remember reading many of her books decades ago, and I really enjoyed them, then. They always are about upper middle class Brits in their country homes in the 1930's. But they have lost their charm for me now- no character development- no surprises, no depth. As with all books- its all about what you are in the mood for at a particular time in your own life. When I originally read them, my own life was in such tumult that her books were very soothing to me.

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