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Trieste, by Dasa Drndic
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“Splendid and absorbing . . . [Drndic] is writing to witness, and to make the pain stick . . . These dense and satisfying pages capture the crowdedness of memory.” — New York Times Book Review
Haya Tedeschi sits alone in Gorizia, in northeastern Italy, surrounded by a basket of photographs and newspaper clippings. Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an SS officer and stolen from her by the German authorities as part of Himmler’s clandestine Lebensborn project.
Haya reflects on her Catholicized Jewish family’s experiences, in a narrative that deals unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps, and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, and to eyewitness accounts of atrocities that took place on her doorstep. From this broad collage of material and memory arises the staggering chronicle of Nazi occupation in northern Italy.
“Although this is fiction, it is also a deeply researched historical documentary . . . It is a masterpiece.” — A. N. Wilson, Financial Times
“A book of events that have made the last century infamous for the ages, a book that, if it moves you as it moved me, you will have to set down now and then, to breathe." — Alan Cheuse, NPR
- Sales Rank: #571144 in Books
- Brand: Drndic, Dasa/ Elias-Bursac, Ellen (TRN)
- Published on: 2015-03-10
- Released on: 2015-03-10
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .92" w x 5.31" l, .0 pounds
- Binding: Paperback
- 368 pages
From Booklist
Just as the river Soca wends through northeastern Italy, bearing witness to everything it touches, Trieste roams through the tragic array of Jewish experiences during the region’s Nazi occupation. It centers on Haya Tedeschi, an elderly woman whose son, fathered by an SS officer, had been stolen away as part of the Lebensborn breeding program. During her relentless search for him, Haya revisits her family’s lives over generations and collects artifacts about the atrocities—from photos, songs, and testimonies from war-crime trials to heartbreaking stories that have waited too long to be heard. Drndic has assembled an angry scrapbook of searing memories, horror, and loss. For the Holocaust’s victims, there is no hope; for its perpetrators, there is no punishment. Trieste’s originality lies not just in its structure and forceful, unflinching imagery—translator Elias-Bursac deserves acclaim as well—but also in how it brings the lingering effects of the Nazis’ merciless racial policies forward into the present. Here the past doesn’t lie dormant and forgotten but is a cancer that can poison us from within. --Sarah Johnson
Review
"A work of European high culture...Even at their most lurid, Drndic’s sentences remain coldly dignified. And so does Ellen Elias-Bursac’s imperturbably elegant translation." –The New York Times Book Review
"A palimpsest of personal quest and the historical atrocities of war...Undeniably raw and mythical...Trieste evolves as a novel in the documentary style of the German writer W.G. Sebald, but also as a memorial of names, and as a novel about one woman's attempt to find order in her life. And as a book of events that have made the last century infamous for the ages, a book that, if it moves you as it moved me, you will have to set down now and then, to breathe, to blink and blink and say to yourself and whatever gods you might believe in, please, oh, please please please, never again." – Alan Cheuse, NPR
"Trieste…explores the 20th century’s darkest chapter in an original way, both thematically and stylistically, without ever diluting the disaster...So unflinchingly does Drndic present her detail that after certain passages concerning freight-train journeys, gas chambers and euthanasia centers, it pays to put the book down and take a break and gulps of fresh air. Potent, candid writing, while deserving of praise, is not always the easiest to digest...Trieste is an exceptional reading experience and an early contender for book of the year." –Minneapolis Star Tribune
"An extraordinarily rewarding novel...Rich." –Pittsburgh Post-Gazette
"A darkly hypnotic kaleidoscope of a book...Drndic has in her own way composed an astonishment that extracts light from darkness." –The Jewish Daily Forward
"Although this is fiction, it is also a deeply researched historical documentary. Haya's life story is woven artfully into a broader tale of the twentieth century's atrocities. The book begins gently, introducing us to the archiepiscopal see of Gorizia in a manner reminiscent of WG Sebald . . . It is a masterpiece." –A.N. Wilson, Financial Times
"Trieste achieves a factographical poetry, superbly rendered by Ellen Elias-Bursac, implying that no one in Axis-occupied Europe stood more than two degrees from atrocity." –Times Literary Supplement
"Trieste is more than just a novel, it's a document that should be compulsory reading in secondary schools ... Books like this are necessary whilst there's still a glimmer of hope that eloquently reminding us of the past may prevent its repetition." –Bookbag
"Trieste is a massive undertaking. It swings from stomach-churning but compelling testimonials from former concentration camp workers to fluid fictional prose." –Irish Independent on Sunday
"In this documentary fiction, the private and public happen at once, large and small scale, imagined with just the same biographical precision. Haya sits dazzled in the cinema, lost in the unbelievable glamour on the screen; meanwhile, neighbors are disappearing. . . . The picture Trieste offers is cumulative -- so is its effect. For a reader with a taste for tidy narrative, its wilfulness can be maddening, and yet the multifarious elements that comprise Haya's story and its grand context are an incredibly dense and potent mixture, too." –The Independent
"Trieste is a brilliant, original conceptualized novel consisting of fragmented memories and a series of concentrated history lessons that will challenge a reader with its irregular construction and seeming lack of continuity. It may not be easy but it is well worth reading and will assuredly linger in memory." –BookBrowse
"Powerful, disturbing, original...Author Dasa Drndic uses her technique with painful effectiveness." –New York Journal of Books
"Drndic’s monumental work about a hitherto rarely discussed aspect of the Holocaust, and about the ongoing consequences of fascism, is not for the fainthearted, but its seamless combination of beautifully told story and relentless harsh documentation makes for a deeply engaging and unforgettable read." –Jewish Renaissance
"A powerful and original testimony, moving and hypnotic." –Historical Novel Review
"Richly textured reminisces...Drndic's themes, use of history, and narrative technique invite favorable comparisons to W.G. Sebald." –Publishers Weekly
"Outrage, horror, and grief simmer beneath the surface of this gripping novel...An unbearable, unusual, and unforgettable tribute to a very dark period of history...Highly recommended, this story’s gripping historical approach calls to mind the work of Norman Mailer and Don DeLillo." –Library Journal, starred
"Trieste’s originality lies not just in its structure and forceful, unflinching imagery—translator Elias-Bursa deserves acclaim as well—but also in how it brings the lingering effects of the Nazis’ merciless racial policies forward into the present." –Booklist
"An epic, heart-rending saga from the Croatian novelist about a forgotten corner of the Nazi Holocaust...A brilliant artistic and moral achievement worth reading." –Kirkus, starred
From the Inside Flap
"A masterpiece" (A. N. Wilson), this many-layered novel of WWII combines fiction with a collage of facts to explore the fate of Italian Jews under Nazi occupation, through the intimate story of a mother's search for her son.
Haya Tedeschi sits alone in Gorizia, in northeastern Italy, surrounded by a basket of photographs and newspaper clippings. Now an old woman, she waits to be reunited after sixty-two years with her son, fathered by an SS officer and stolen from her by the German authorities as part of Himmler’s clandestine Lebensborn project.
Haya reflects on her Catholicized Jewish family’s experiences, dealing unsparingly with the massacre of Italian Jews in the concentration camps of Trieste. Her obsessive search for her son leads her to photographs, maps, and fragments of verse, to testimonies from the Nuremberg trials and interviews with second-generation Jews, and to eyewitness accounts of atrocities that took place on her doorstep. From this broad collage of material and memory arises the staggering chronicle of Nazi occupation in northern Italy.
Written in immensely powerful language and employing a range of astonishing conceptual devices, Trieste is a novel like no other. Daša Drndic has produced a shattering contribution to the literature of twentieth-century history.
Most helpful customer reviews
11 of 12 people found the following review helpful.
Haunting, Brutal Telling of the Nazi Solution in Italy
By Burgmicester
Dasa Drndic is a Croatian novelist using an interesting combination of history and fiction to tell an unforgettable story that is often ignored in stories of WWII. The Lebensborn Project was designed by Himmler to increase the Aryan gene pool by stealing blonde hair, blue-eyed children and by forcing pregnancies by selecting the parents and using secret adoptions of these children into strong Nazi homes. This hidden Project is brought out in the later chapters by Drndic and completes the circle of her main character’s nightmares.
Using an old lady’s grieving mind as she waits patiently for her son - fathered by a Nazi SS soldier, stolen by the Nazi and placed into the secret Lebensborn Project - to return to her. Haya Tedeschi, a Jew living in Gorizia, relives her life through a basket of newspaper scraps and old photographs. Haya’s mind is sometimes delusional and sometimes crystalline as she recalls with pain and agony the trials and tribulations of the Nazi occupation of her town before and during WWII.
Her graphic lament that millions of people did nothing while knowing much brings the haunting tales of the Holocaust into vivid clarity. Haya does not necessarily include herself in this group, but in her heart, she knows her family was as much to blame. Drndic uses facts and weaves them into the fabric of her story. The first several chapters are difficult to follow and I was nearly ready to throw in the towel. The story rambled around with no apparent direction while the author began to set up the plot and storyline. While this technique is unique and somewhat effective after the fact, it makes for a very strange introduction to the story. Drndic uses a very brutal descriptive style that is sometimes too much, but there are enough facts to warrant the effect. The Nazi’s were a brutal regime and the stories are sometimes ignored and they really should not be. The Holocaust was horrendous and without constant reminders, one can put that history into the back of their minds in order to compartmentalize it. Drndic will not allow that.
The writing is direct and the translation seems to be “spot on”. I am only taking away one star because although the story was interesting, I was never drawn in to the main character with the empathy that would have been necessary for me to give it the highest 5 star rating. While that might seem trivial in this type of work, it is a work of fiction and as such, it should grip the reader. The story sometimes reads like nonfiction and while it is interesting, it did not engage this reader to the maximum. I wanted to finish it, but it was not a constant companion.
Recommended for those that are looking for something different and also enjoy nonfiction style books.
4 of 4 people found the following review helpful.
This is not a book you love but it is a book you should read
By lynne rocoff
Trieste is a difficult book to read, it is history that is haunting and disturbing. Woven through the facts is Haya's narrative, which gets lost at times, but resurfaces frequently enough to keep the story moving. You can not read this book without being emotionally devastated by the 9,000 names listed - page after page of names - no commas between them - just page after page of names of the Jews who were killed in Trieste during the war. It is not a book you love, or really even like, but once you start it, it is not a book you can stop reading until you are finished.
2 of 2 people found the following review helpful.
Behind Every Name there is a Story
By Roger Brunyate
"Abeasis Clemente, Abeasis Ester, Abeasis Giorgio, Abeasis Rebecca [...] Zundler Henriette Cecilia, Zwirblawsky Enoc Hersch, Zylber Szaya, Zynger Jerachmil." These are the first and last of a list of around 9,000 Jews from Italy or Italian-occupied countries killed between 1943 and 1945. Forty-four pages printed in four columns of small type, they stand like a granite wall separating the first half of this book from the second. Although visually the most unusual feature in this totally extraordinary Holocaust novel, it is not the only one: there are court transcripts, poems, entries from a biographical dictionary, fragments in many languages, and even grainy photographs in the manner of WG Sebald. And names, names, names.
The protagonist, though based on fact, is fictional. Haya Tesdeschi, an old woman of 83, sits in her room in Gorizia, on the border between Italy, Austria, and Croatia, and waits to meet her son, stolen from her by the Germans as a baby, 62 years before, in 1944. But the photos in the basket at her feet go back even farther, to when her parents had not yet met and Gorizia was an international spa. As she does throughout the book, Drndic paints the picture in Homeric fashion, by conjuring up names:
"Ah, all the actresses, duchesses, dancers; all the poets, journalists, singers and marquises whom He gets to know and love long after his first forays to local brothels at sixteen (when He pawned His grandfather's watch); ah, Teodolinde and Clemenze, and Giselda Zucconi, and Olga Ossani; Maria Luisa Casati Stampa, amasser of exotic animals and bizarre furniture; oh, Ida Rubinstein, Isadora Duncan, the singer Olga Levi Brunner, and after her, the pianist Luisa Baccara, then the wealthy American painter Romaine Goddard Brooks, who later comes out as a lesbian; then, oh Lord, celebrated Eleanora Duse...".
It goes on, the list of names, famous and forgotten, beginning as an unstoppable lyrical stream, but changing eventually to a meticulous accounting of atrocity. Haya is born, grows up, meets a charming young German soldier nicknamed "The Doll," bears his child. Meanwhile trains pass through Gorizia, trains whose schedules are notated in numbing detail. A nearby rice factory is converted as a detention center. The parade of names continues, but now they are the biographical entries of personnel from Sobibor or Treblinka, excerpts from their trials, and a note of what happened to them after the war (in most cases, nothing).
Haya becomes a mathematics teacher, retires, and waits. She still amasses information, but the witnesses in the trials she now sees in her mind are mostly ghosts. The poets Elliot and Pound have more to say to her than the voices of living people. But her story is still about names. Somewhere in Germany, in the small town of Bad Arolsen to be precise, there are millions of them, archived documents that might reunite her with her son. And so the focus passes to the next generation, people who wake up one day to discover that they are the children of mass murderers.
With the one exception of its central character, this is a book of facts. But facts marshalled with such variety of technique, such ingenuity, such anger, and such compassion that the book makes compelling reading from its beautiful start to an ending that, with so much purged away, has its own very different kind of beauty. A masterpiece.
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