viernes, 24 de enero de 2014

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Katsuya Terada 10 Ten - 10 Years Retrospective (Japanese Edition), by Katsuya Terada

Katsuya Terada is one of Japan's most sought-after illustrators who is known as the character designer for the animated film, Blood: The Last Vampire. This book is a catalog for his exhibition (held at Kyoto International Manga Museum, Japan / March 16 - June 30, 2013) of his works in the recent decade. The book contains most of the works featured in the exhibition such as mangas, illustrations, as well as preliminary sketches, production drawings, that are around 600 pieces. It will be an ultimate book for Terada s fans and also a great reference book for illustrators and manga artists.

The author's interview is included in the English jacket.

  • Sales Rank: #634732 in Books
  • Published on: 2013-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.94" h x .94" w x 8.23" l, .0 pounds
  • Binding: Paperback
  • 326 pages

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14 of 14 people found the following review helpful.
Exhibition catalog of Katsuya Terada
By Parka
[[VIDEOID:moSGWQXCUZPNKT]]KATSUYA TERADA 10 TEN is actually the catalog for Terada's solo exhibition of the same name at Kyoto International Manga Museum. The exhibition runs from 16 Mar to 30 Jun 2013.

It's a 328-page paperback with a dust jacket.

The book is small A5 size which is quite a bummer considering many of his works are quite detailed, especially the line art.

As the book title suggest, it collects art works from the past decades. There are illustrations, sketches, comic panels, commission works and other personal doodles. Stuff from his Monkey God series, Marvel fan art or commission work, illustrations for other publications, some rather explicit pin-ups and more.

Majority of the works are printed in grayscale or duotone. Only selected pages are in colours. The book feels like a sketchbook because of the lack of colours, and there are lots of sketches too. I've seen many of his illustrations in colour such as those from his coverage of the Giro d'Italia 2007 cycling competition. Colours would have made the book more awesome, but well, it's a catalog and not too expensive.

While the book is in Japanese, publisher PIE Books has provided English translation on their website for the pages with text (link in comment section).

Great book to check out if you like Katsuya Terada or sketchbooks.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

2 of 2 people found the following review helpful.
A fantastic catalogue of the artist's fantastic body of work.
By blauereiter
To see more pictures from the book, please visit my blog via my Amazon profile link.

"Katsuya Terada 10 TEN - 10 Year Retrospective" is the art book released in conjunction with the artist's exhibition held at the Kyoto International Manga Museum from March 16 to June 30th. (To read an article on my visit to the exhibition, please visit my blog via my Amazon profile link.)

The book contains an expansive and comprehensive collection of Terada-san's body of work, running the full gamut from his illustrations for art books, novel covers, character/concept designs for games/films, panels from his comics, doodles and more. There's a whole lot of art work in here that I've never seen before.

This book delivers both quality and quantity in droves and gets my highest recommendations. I only wished it was larger in format ( A4 would be great ), and more of the prints reproduced in full color rather than monochrome. Of course, the price of the book would have been much higher too.

1 of 1 people found the following review helpful.
Ten Years of Terada Terrain
By EisNinE
This is a nice exhibition catalog of the show by the same name, looking back at the last ten years of Terada's career. It is loaded with art executed mostly in digital paint, but also in real paint, and ink. He divided the exhibition, and the book, into two sections -- Gallery and Print. The full-color paintings on the glossy paper represent works created for gallery showings, while the larger section of two-tone art on unfinished paper are his illustrations destined to end up in print, made for print. Unfortunately, this makes up a large percentage of the catalog. I love two-tone art, if that's how it looked in print, but a lot of the print art was created in full-color, and reproduced in a simplified form. I want to see it like it should be seen. Still. it's an interesting book, packed with dozens of illustrations featuring beautiful women in Terada style, as well as the demons and cyborgs and such he does so well. The deluxe hardcover monograph on Terada published by Dark Horse will be out shortly, so unless you are a hardcore fan, you might want to wait for that.

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lunes, 20 de enero de 2014

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Pathways 1: Reading, Writing, & Critical Thinking (Pathways: Reading, Writing, & Critical Thinking), by Mari Vargo, Laurie Blass

Pathways is National Geographic Learning's new five-level academic skills series that features reading & writing and listening & speaking strands to help learners develop the language skills needed to achieve academic success. Learners develop academic literacy skills through content, images and video from National Geographic. This innovative series provides learners with a pathway to success! With Pathways learners: DEVELOP academic literacy skills CONNECT to the real world through content from National Geographic ACHIEVE academic success

  • Sales Rank: #112477 in Books
  • Brand: Brand: National Geographic/(ELT)
  • Published on: 2012-08-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.70" h x .50" w x 8.40" l, 1.48 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

About the Author
Mari Vargo is an experienced writer, editor, and educational consultant based in San Francisco. She has written and developed a wide variety of print, online and multimedia products, for primary and secondary school, community college, adult school, and university students.

Laurie Blass holds a Bachelor's degree in French from the University of California at Berkeley and a Master's degree in Linguistics and a TESL certificate from the University of Pittsburgh. She has taught English as a Second Language at the University of California at Berkeley, Carnegie-Mellon University, the University of Pittsburgh, and at ESIEE in Paris. She has extensive experience in educational print and electronic publishing, and is the author or co-author of over 24 ELT textbooks. She specializes in ELT for academic success and e-learning design.

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0 of 0 people found the following review helpful.
Three Stars
By Leonardo L Marafon
Didn't come with access online code

0 of 0 people found the following review helpful.
Four Stars
By Samadhy Castro
Is book good, the vocabulary is very practice.

0 of 0 people found the following review helpful.
Five Stars
By Gustavo Camacho
Very good all is ok

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domingo, 19 de enero de 2014

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Network Simplification Techniques, Graph Theory, Network Theorems, Laplace Transform, Network Functions, Bode Plot, Two Port Networks, Network Synthesis, Filters,

  • Sales Rank: #10925416 in Books
  • Published on: 2007-06-01
  • Original language: English
  • Dimensions: 10.00" h x 1.36" w x 7.00" l, .0 pounds
  • Binding: Paperback
  • 610 pages

About the Author
U. A. Bakshi M.E. (Electrical) A. V. Bakshi B.E. (Electronics)

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viernes, 17 de enero de 2014

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  • Sales Rank: #797602 in eBooks
  • Published on: 2012-08-11
  • Released on: 2012-08-11
  • Format: Kindle eBook

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Thank you
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This is easily the best tarot guide I've read thus far in my early stages of mastering the art. I have been looking for a good tool that encompasses all elements and am glad the search is finally over! Thank you!!!

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Multi-readings on each Tarot card
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Very useful multi-readings on each tarot card. This has broadened my perspective on many of the cards. It's now a permanent part of my tarot reference collection.

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jueves, 16 de enero de 2014

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Bananas, Beaches and Bases: Making Feminist Sense of International Politics [Updated Edition], by Cynthia Enloe

This radical analysis of globalization reveals the crucial role of women in international politics today. Cynthia Enloe pulls back the curtain on the familiar scenes—governments promoting tourism, companies moving their factories overseas, soldiers serving on foreign soil—and shows that the real landscape is not exclusively male. She describes how many women's seemingly personal strategies—in their marriages, in their housework, in their coping with ideals of beauty—are, in reality, the stuff of global politics. In exposing policymakers' reliance on false notions of "femininity" and "masculinity," Enloe dismantles an apparently overwhelming world system, revealing it to be much more fragile and open to change than we think.

  • Sales Rank: #579240 in Books
  • Brand: University of California Press
  • Published on: 2000
  • Original language: English
  • Number of items: 1
  • Dimensions: .81" h x 5.39" w x 8.47" l, .74 pounds
  • Binding: Paperback
  • 244 pages
Features
  • Great product!

Review
"Bananas, Beaches and Bases is the most significant book in contemporary feminist international politics. In my view, it is the essential text not only for feminist international politics courses but for anyone interested in starting to understand just how International Politics really works." - Marysia Zalewski, author of Feminism After Postmodernism: Theorising Through Practice "A new edition of Bananas, Beaches and Bases is cause for cosmic good cheer. This trailblazing treatment of the gender politics of global market and military projects is a feminist classic. Always ahead of the curve, before globalization had achieved cache in academic circles, Enloe was there, cajoling Western feminists out of our political parochialism. There is no more creative, insightful, engaging feminist guide to international politics." - Judith Stacey, author of Brave New Families "Bananas, Beaches and Bases is both a 'Pandora's box' and a roadmap. As the 'magna carta' of Feminist International Relations, it has helped create a new generation of women and men in the world of international relations." - Katharine Moon,author of Sex Among Allies "With this volume, Cynthia Enloe single-handedly carved out a major new field. Combining contemporary political insight and historical sensitivity, Bananas, Beaches and Bases revealed the gendered workings of high politics, without which the entire machinery of war, diplomacy and governance would have long since collapsed. A pioneering tour-de-force." - Philippa Levine,author of Victorian Feminism, 1850-1900"

From the Inside Flap
"I have no hesitation in describing Bananas, Beaches and Bases as the most significant book in contemporary feminist International Politics. Each time I re-visit it, I am taken aback by its profound implications for both feminism and International Politics. The deceptively provocative question at its core—'where are the women?'—irrevocably transforms our views about what the central and important landscape of global politics is. In my view, it is the essential text not only for feminist International Politics courses but for anyone interested in starting to understand just how International Politics really works."—Marysia Zalewski, author of Feminism After Postmodernism: Theorising Through Practice

"A new edition of Bananas, Beaches, and Bases is cause for cosmic good cheer. This trailblazing treatment of the gender politics of global market and military projects is a feminist classic. Always ahead of the curve, before globalization had achieved cache in academic circles Enloe was there, cajoling Western feminists out of our political parochialism. There is no more creative, insightful, engaging feminist guide to international politics. Cynthia Enloe is an international feminist treasure, and Bananas, Beaches, and Bases her signature work."—Judith Stacey, author of Brave New Families

"Bananas, Beaches, and Bases is both a ‘Pandora's Box’ and a roadmap: It unleashes questions and insights that many conventional students of International Politics are accustomed to ignoring or overlooking about the dynamic between gender and international political life, and it guides us to see how both are mutually constitutive. As the "magna carta" of Feminist International Relations, it has helped create a new generation of women and men in the world of international relations."—Katharine Moon, author of Sex Among Allies

"Cynthia Enloe writes with passion, conviction, intelligence and verve as she makes such good feminist sense of international politics that the world never looks quite the same again. Innovative and a great read, Bananas, Beaches and Bases continues to be an outstanding example of the difference gender makes in social analysis. This is a book which provokes discussion with students, colleagues, friends and family. It is a book which has set the standard form much that followed. A classic."—Diane Bell, author of Ngarrindjeri Wurrurwarrin: A World That Is, Was, and Will Be

"With this volume, Cynthia Enloe single-handedly carved out a major new field. Combining contemporary political insight and historical sensitivity, Bananas, Beaches and Bases revealed the gendered workings of high politics, without which the entire machinery of war, diplomacy and governance would have long since collapsed. A pioneering tour-de-force."—Philippa Levine, author of Victorian Feminism, 1850-1900

From the Back Cover
"I have no hesitation in describing Bananas, Beaches and Bases as the most significant book in contemporary feminist International Politics. Each time I re-visit it, I am taken aback by its profound implications for both feminism and International Politics. The deceptively provocative question at its core-'where are the women?'-irrevocably transforms our views about what the central and important landscape of global politics is. In my view, it is the essential text not only for feminist International Politics courses but for anyone interested in starting to understand just how International Politics really works."-Marysia Zalewski, author of Feminism After Postmodernism: Theorising Through Practice

"A new edition of Bananas, Beaches, and Bases is cause for cosmic good cheer. This trailblazing treatment of the gender politics of global market and military projects is a feminist classic. Always ahead of the curve, before globalization had achieved cache in academic circles Enloe was there, cajoling Western feminists out of our political parochialism. There is no more creative, insightful, engaging feminist guide to international politics. Cynthia Enloe is an international feminist treasure, and Bananas, Beaches, and Bases her signature work."-Judith Stacey, author of Brave New Families

"Bananas, Beaches, and Bases is both a 'Pandora's Box' and a roadmap: It unleashes questions and insights that many conventional students of International Politics are accustomed to ignoring or overlooking about the dynamic between gender and international political life, and it guides us to see how both are mutually constitutive. As the "magna carta" of Feminist International Relations, it has helped create a new generation of women and men in the world of international relations."-Katharine Moon, author of Sex Among Allies

"Cynthia Enloe writes with passion, conviction, intelligence and verve as she makes such good feminist sense of international politics that the world never looks quite the same again. Innovative and a great read, Bananas, Beaches and Bases continues to be an outstanding example of the difference gender makes in social analysis. This is a book which provokes discussion with students, colleagues, friends and family. It is a book which has set the standard form much that followed. A classic."-Diane Bell, author of Ngarrindjeri Wurrurwarrin: A World That Is, Was, and Will Be

"With this volume, Cynthia Enloe single-handedly carved out a major new field. Combining contemporary political insight and historical sensitivity, Bananas, Beaches and Bases revealed the gendered workings of high politics, without which the entire machinery of war, diplomacy and governance would have long since collapsed. A pioneering tour-de-force."-Philippa Levine, author of Victorian Feminism, 1850-1900

Most helpful customer reviews

0 of 0 people found the following review helpful.
Highly recommend this!
By ZOE
I've been studying international politics and gender issues for some time but they've always been presented as separate subjects. To find a cohesive, academic work integrating the two was fabulous. Her work is jointly informative and interesting providing enough theory to be of academic interest and enough examples to exceed the category of a mere textbook. Highly recommend this!

15 of 18 people found the following review helpful.
Women and Global Politics
By Jennifer heath
What do nationalism, Chiquita bananas and Mexican garment factories have in common? In Cynthia Enloe's trailblazing book, they illuminate the interplay between global politics and women. Few scholars have investigated why and how international politics and global trade shape definitions of masculinity and femininity; this book does that and more, providing new perspectives on the gendering of power. For Enloe, power imbues the cultural, social and economic interactions that gird global politics; "relationships we once imagined were private or merely social are in fact infused with power, usually unequal power backed up by public authority (p.195)." Here, Enloe extends the analytical approach Friedan used in The Feminine Mystique (1963), which considered the connection between feminine stereotypes and evolving US global power and security interests. Enloe pushes Friedan's analysis into a global context and brings into sharper focus the way public politics are masculinized via the control of women's activities.
Each of the chapters in Enloe's book explores a different theme -- from tourism to US military bases -- in order to demonstrate how the personal is political and the political is personal. Enloe most successfully draws out the linkages between domestic life and public authority in her chapters on nationalism, banana republics and garment factories. Looking at the experiences of women in places as diverse as Sri Lanka and Palestine, Enloe finds women asserting a sense of national identity that conflicts with their feminine roles of tending home and children. Even more problematic, if increased militarization creates an emphasis on communal unity, issues of sexual inequality are often discounted; thus, the nation is redefined, but in a masculinized form. Enloe's most global chapter nicely couples women in the United States with women in Honduras, both of whom the United Fruit Company controls to a certain degree by promoting and relying on women's feminized roles. In the United States, housewives respond to advertising and turn bananas into a booming business, while in Honduras, mothers and daughters accept low paid work on banana plantations or in nearby brothels. In a later chapter, Enloe turns to the international garment industry, noting again how industry keeps women's work cheap by drawing on patriarchal ideas about labor. At the same time, concepts like risk and adventure underlie international financial decisions and masculinize global banking, the money driving the garment industry.
In arguing that international processes depend on particular configurations of masculinity and femininity, Enloe has produced an important work. However, this book is so wide ranging that it often forgoes providing a complex analysis of its topics; Enloe makes sweeping and often simplistic generalizations, such as "international tourism needs patriarchy to survive (p.41)." Yet Enloe depicts a tourism industry that responds to changing cultural and social norms; for example, the tourist industry incorporates the idea, launched by women, of the white female adventurer. Enloe wants to demonstrate the importance of gender in tourism; however, this reader was more struck by the way her book illustrates tourism's dependency on racism for its survival. In addition, many of Enloe's linkages, especially between female sexuality and the control of predominantly male populations, while intuitively comprehensible, are poorly supported by evidence. The presence of high levels of prostitution around US military bases, for example in the Philippines, seems at least equally tied to issues of international economics as it is to providing security for military bases. Why, I wonder, is there a collapse (in the host country) of previously defining notions about male / female domestic and sexual relations? Why are the patriarchal values that keep women at home or considering the needs of their compañeros in Afghanistan and Mexico suddenly demolished in the Philippines? Attention to the pressure that international economics places on the gendering of domestic relations in countries that maintain US military bases would have nuanced Enloe's argument.
Despite these flaws, Enloe should be commended for broadening our understanding of global politics. Indeed, Enloe challenges our conceptions of international politics while empowering female readers to think about how global issues might relate to their own experiences. The author's portrayal of the September 19th Garment Workers Union in Mexico highlights how women can recognize their dehumanized role in the global economic system; moreover, in examining the lives of working women across the globe, she calls on middle class feminists to hear and support a diversity of female needs. This book provides a welcome addition to current scholarship on the global market and will benefit anyone interested in considering the complex forms that power can take in international politics.

4 of 7 people found the following review helpful.
The Other Side of International Politics
By Daniel Greene
This book is a study of international politics through the lens of women who influence husbands who happen to be the major power brokers within the international system. Enloe also studies how third world women are used as expressions of sexual and national power through agribusiness, tourism, and military bases.

This work is enlightening because it examines the quiet yet immensely influential role women play within the geopolitical economic system. Enloe's main thesis is that the personal is political, therefore the power plays within international politics correlates strongly with the power struggles within the personal relationships between men and women. Unfortunately where Enloe falls short is her narrow definition of masculinity and femininity. Ultimately she defines them as pillars of power, rather than the embodiment of choices. The truth is when it comes to these kind of dichotomized debates, the answers are usually a bit more nuanced.

First, what isn't clear is Enloe's use of the term `political' in which she also uses interchangeably to mean `economical'. The problem is if you don't clearly distinguish between the two it becomes difficult to identify who is a genuine victim of the vicissitudes of international political fiat, versus those who are freely making choices deciding between trade offs in an environment limited by scarcity. Enloe commits this fallacy because she views today's market system as a form of neo-mercantilism. In some cases she may be right but nevertheless it's still important to make the distinction because if the personal is political and the political is economical, why should the political/economical be of concern to anyone if the source of it all is personal, and people are completely happy with their personal choices? For Enloe, it seems to makes a difference if one believes that the personal sphere is a construct forged out of coercive power, rather than of choice. For Enloe, to command power over international politics also means commanding power within the personal sphere. If true, than universal happiness could not be possible because, in her worldview when it comes to power, there is always a winner and a loser.

The problem is power is subjective, arbitrary and always destined for conflict. If 'masculinity' and 'femininity' are simply power constructs then ones power is as good as the other. Since masculine and feminine interests are distinct power interests, this means they must be in perpetual conflict with each other since a simbiotic peace, that transceneds power that is founded on shared moral ideals, is not possible. Power constructs are not concerned with questions of ethics, rights, justice, truth, obligations and expressions of individual free will. Power constructs are solely concerned with aquiring more power.

Secondly, Enloe discusses how first and third world women are `used by the makers of the international political system', who are primarily men. Unfortunately, Enloe limits her definition of masculine power solely within the context of European nationalism. Afterall, what about third world men who are `used by the makers of the international political system'? Enloe doesn't have an answer. Doing so would require Enloe to reject or significantly alter her central thesis that the source of international politics lies primarily within the personal power struggles between men and women. Enloe's theory is incomplete because it stems from her Marxist reasoning which is rooted in a conflict-based world-view.

Despite these criticisms this is a very good book and it's highly recommended for anyone interested in learning about the `quiet' power women have in influencing international affairs.

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  • Sales Rank: #3839895 in Books
  • Published on: 2007-03-17
  • Binding: Paperback

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CB71007 The Heart of the WildThe One Ring RPG Sourcebook

By Cubicle Seven Entertainment

The One Ring RPG

The Heart of the Wild is a resource for The One Ring Adventures Over the Edge of the Wild describing the lands of the River and the Forest, the Vales of Anduin along the banks of the Great River, and the trackless forest of Mirkwood to the east. It expands on the descriptions given in the Loremasters Guide, offering new sanctuaries and new perils for the players to discover. Each region is described in detail, listing potential friends and foes, sites of interest and potential adventures.

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Follow the Anduin river down from the chill springs of the Misty Mountains to the southern edge of the Wild! Explore the dread forest of Mirkwood, running from the lonely thickets of the north to the very gates of Dol Guldur! Enter the Heart of the Wild, and defend it against the rising Shadow.

  • Sales Rank: #740752 in Books
  • Brand: Cubicle 7
  • Published on: 2013-10-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 2.00" w x 8.50" l, 1.53 pounds
  • Binding: Hardcover
  • 128 pages
Features
  • The Heart of the Wild is a resource for The One Ring Adventures Over the Edge of the Wild describing the lands of the River and the Forest, the Vales of Anduin along the banks of the Great River, and the trackless forest of Mirkwood to the east.

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12 of 12 people found the following review helpful.
A Loremaster's Detailed Review of Heart of the Wild
By Brian S. Slaby
Introduction

Heart of the Wild is the most recent supplement for The One Ring. It's essentially a gazetteer to western and central Wilderland (the Vales of Anduin and Mirkwood; which is to say everything except the Dale-lands, Lake-Town, and the Long Marshes). The yet-to-be-released companion volume, Darkening of Mirkwood, is a plot point campaign sourcebook that requires Heart of the Wild (though you can use HotW just find without Darkening). It's most useful for Loremasters as a setting reference and a source for new Adversaries and NPCs, though there are some player options sprinkled throughout it.

Production Value

This is the first hardcover product in the line, and it makes all the difference. Previous softcovers (including the core rulebooks) had issues with the binding (my copies included), which is a sore point for an otherwise beautiful set of books. The hardcover format seems to have eliminated this problem, as the binding certainly seems as solid as any other RPG book I've owned. At 128 pages it's a little short for the price point.

Layout

The book is divided into 3 main sections (plus an introduction, an updated map, and an index), the Vales of Anduin, Mirkwood, and Adversaries. The two major regions are divided up into various sub-regions, which are treated separately. The subregions correspond to those on the maps, and while this makes the book convenient to reference if you're interested in a specific place on the map, it can be a little repetitive to read this way, especially with all of the similar-sounding regions (west upper vales, east upper vales, west middle vales, east middle vales, etc. through Anduin vales and nether vales). This is exacerbated by the fact that each region is given entries for wildlife, inhabitants, notable characters, and notable places. The wildlife entries in particular are tiresome, as most of them include the expected bears, deer, squirrels, etc. There are a few notable details like the swarms of insects that beset travelers in the East Nether Vales, which the wandering Erringmen fend off with fire-pots full of incense, but by and large I think that space could have been saved by detailing the general wildlife in the introductory section to the two major regions, and then if there are interesting wildlife for a given sub-region mentioning those in its summary. This is the one part of the book that feels like it was placed in to pad page count, which is all the more noticeable with only 128 pages.

The art lives up to what we've come to expect from this line, which is to say that the style fits the setting very well. You get a mix of paintings and, for some specific NPCs, pencil drawings. There is at least one piece of recycled art (the portrait of Thranduil), but the vast majority of it is new. My one complaint is that a lot of the Mirkwood pieces look really similar, and don't seem to depict anything besides "ooooh, scary trees!" Given that similar pieces are found in the core books, it's tough to really appreciate some of the Mirkwood stuff.

Sidebars abound in this book, and they run the gamut from new player options, to interesting details about characters ("Thranduil's Ring" and "The Crown of the Elvenking" being particularly nice touches), to short little stories that better demonstrate locations or situations ("A Campfire Tale," "Forgotten Treasures"), or advice about keeping already-visited locations fresh ("Strange Faces in Familiar Lands"). This is a great way to maintain the consistent region to region structure while still allowing for unique details to be given, and it visually informs the reader that something here is different, important, or is getting a different style of treatment. My only gripe is that while the sidebars are in the index, there is no notation that indicates they're sidebars (a minor gripe, to be sure).

Content

As a setting reference this book does what it needs to do, without over-detailing things. A description of the landscape for each sub-region, and a handful of versatile NPCs with motivations and personalities that seem relevant to the interests of adventurers. Some might end up as adversaries, some allies, while others could go either way. Concepts are generally not repeated, so you're getting something new and interesting with each NPC. The entries are short and to the point, with an attribute level given, Traits, Endurance, and ranks in any skills that the NPC is likely to demonstrate. One nice touch that updates Tolkien to the sensibilities of most modern gamers is that about half of the NPCs are female.

A lot of the descriptions (of both NPCs and specific locations) act as hooks, to spark curiosity and inspire GM creativity. Personally, this is the type of published material that I tend to get the most use out of as a GM. A little "seed" that I can take off in my own direction. I supply most of the details and plotlines, but I wouldn't have ever thought of it if I hadn't read that interesting little initial description. For this reason I anticipate that Heart of the Wild might be sufficient for my GMing needs, in that Darkening might provide too much detail for my tastes. In other words, Heart of the Wild will probably still be useful to GMs who don't like running published adventures (which I don't).

A few locations are given a more detailed treatment, to the extent that they're mapped out. These are the Halls of Thranduil (a much better version than the one from Karen Wynn Fonstad's "The Atlas of Middle Earth," though doubtless that's because more liberties were taken), Dol Guldur (an overhead view of the exterior with important features labeled), Beorn's house, and the three Woodmen settlements in Mirkwood (with a note that Mountain Hall is mapped out in Tales from Wilderland). Actually, there are a few locations where only a very short summary is provided, and the entry otherwise says "refer to Tales/Loremaster's Book." For example, Beorn doesn't get much treatment since the LMB goes into a lot of detail on him. This attempt to keep the book "dense" and not reprint information may be a pro to some, and a con to others who would rather have a more complete reference in one book. Going back to the maps, these hit a pretty sweet spot of providing enough detail to get a sense of how the place is laid out, but not going so far as to count individual houses and whatnot. For me as a Loremaster, this level of detail is enough to keep my description of the place consistent, but it's not so rigid that it locks me out of options.

I think the biggest missed opportunity in this book is that there are no hazards provided at all. I thought the region-specific hazards in Tales from Wilderland were a very nice touch, and I expected an abundance of them in Heart of the Wild. Again, considering that the book only clocks in at 128 pages it's a bit mind boggling why these were neglected. The few general hazards listed in the LMB can get stale really fast, and while you could do a quick scan through the area's description to adapt them to a sub-region in a pinch, there's not a lot of ease-of-reference there, and there might not be something immediately obvious.

Adversaries

At just 11 pages the Monsters of the Wild chapter is much shorter than the other two, but considering how limited the selection from the LMB is it is a pretty decent expansion to the number of foes available. Obviously Tolkien doesn't have the menagerie of monsters that a game like D&D does, so it's a fine line between giving the Loremaster enough options to keep his players interested and providing so much that it no longer feels like Middle Earth.

Aside from basilisks, grim hawks, and wood-wights, all of the adversaries are more or less variations on stuff that the players have likely already come across. There are enough mechanical differences to be noticeable, though. There are some specific "boss" orcs (including one with a named weapon), forest goblins, a warg "boss," hill-men, wild men, a new type of spider, and a trio of...nah, I'm not going to spoil that one ;)

Player Options

The most significant options for players are new Fellowship Phase Undertakings, though these will largely be linked to a very specific location, so your options are unlikely to be greatly expanded during any one Fellowship Phase. Some of them are interesting new twists on what can be gained from an Undertaking, with some being fairly generic (Hunt with the Woodmen) and others being very unique (Taming the Steed of the Moon). There are 14 altogether, and with so much variety they can easily be used as examples to inspire Loremasters to create custom Undertakings using the same or similar mechanics with tweaked or substituted details.

There are 2 new "sub-cultures," which are the Wild Hobbits of the Anduin Vales and the Woodmen of Mountain Hall. The entries are disappointingly sparse, with some starting skill ranks being switched around and new Cultural Blessings being granted (though in the case of the Woodmen it's as simple as switching the wording of Woodcrafty from "in a forest" to "in the mountains"). Unlike the Men of the Lake from the Lake-Town book, there are no new cultural Virtues or Rewards, and no new backgrounds. What makes this especially puzzling is that for the Hobbits in particular, a lot of the options from the core rulebook don't fit thematically at all. Again, I stress that at 128 pages there could have been more here.

Woodmen and Elves also get one new Cultural Virtue each. River-blooded represents a Woodman who has River Maiden ancestry, whereas The Call of Mirkwood can be taken to show how an Elf PC is beginning to fade.

Final Thoughts

Overall I'd say this book is well worth it for GMs, and for anyone who wants a fairly comprehensive reference book on Wilderland. Though it's worth keeping in mind that as a reference book, it's not strictly canon as many liberties were taken to make it appropriate for use in an RPG. I still think it's a great read for getting a sense of what these lands are like, and what life would be like there. If you're just a player with only a casual interest in Tolkien lore you might not find much of use here.

By and large it's a great addition to the TOR library, though it's not without its flaws. A lack of new Hazards, player options that could have been done in more detail, and a short page count for the price (but hardcover is awesome!) keep this from getting a perfect rating, but they're pretty minor issues and shouldn't get in the way of purchasing this book if you're on the fence. The book is absolutely stuffed with "seeds" that will provide GMs with inspiration for many adventures and campaigns, and it makes a great reference for adding color and detail to travel through these regions.

12 of 13 people found the following review helpful.
First Thoughts
By Lee Nicholas
I only just purchased the Heart of the Wild from Cubicle 7's website, meaning I now have access to the PDF.

I have not read the entire book yet (it is around 130 pages) but the materials I have read have been great.

As a lover of Tolkien I very much appreciate the Cubicle 7 Team's commitment to preserving his world. Sections of the book are devoted to history of the regions, collaborating on the various Histories of Middle-Earth and the Silmarillion. As somebody who has read the Silmarillion and the trilogy multiple times it is very refreshing to enter into these sections and come away having learned things.

As far as actual gameplay goes, there is a lot of material. There are many intermediate characters introduced that can be easy additions to a single campaign as well as big, treacherous enemies that can be the conclusion of a longer adventure. There are mysterious locations detailed, rumors of treasure ad mystical beasts, and many a new monster.

The PDF at least is beautifully written and published. The artwork is consistent with previous publications, which means it is stellar. I love browsing it.

My only complaint (and it's minor) is the 'two new playable races.' The snippit on Amazon makes it sound like there are two new races that are fully fleshed out (ala the Lake-town folk in its sourcebook). However, there are simply two small sections on how to change pre-existing races to these new ones. One, the hobbits of Mirkwood, hardly seems playable given their nontrust of any other being. Nonetheless, there is a fleshed out new skill list and cultural blessing. The wayward elves are very interesting on the other hand and a bit more detail is given to them. Again, that is extremely minor and is more a complaint about the way those were advertised than the actual content. I think they are both doable, I just wish that, given the description of 'two new races,' there were full sections in the back like there are in the Laketown book.

All-in-all this is a most-buy for LMs. Especially if you plan on using the upcoming Darkening of Mirkwood Quest Book as Cubicle 7 specifically states this will be a needed source to play those adventures.

Do yourself a favor and pick this up right now while Cubicle 7 is throwing in a free PDF (sorry Amazon).

EDIT: I have since received the physical copy of this purchase and am thrilled! It is a beautiful hard-bound book with nice, glossy pages. The previous supplements and core books released had very poor binding. This new hard-cover binding has none of those issues and is very durable. If I could add a sixth star I would.

9 of 10 people found the following review helpful.
A gorgeous book and a well-organized resource
By Andrew W. Laubacher
UPDATE: The Heart of the Wild (One Ring) was scheduled for release in August 2013. After delays caused by a printer error the sourcebook has finally been published and is available in stores as of October 23, 2013. I received my pre-ordered copy on October 1.

'The Heart of the Wild' is a sourcebook for The One Ring: Adventures Over the Edge of the Wild and describes the Vales of Anduin and the depths of Mirkwood Forest. Besides being useful as a general resource, the book is indispensable for use with the upcoming campaign book The Darkening of Mirkwood (One Ring). Here is a nice bonus: Cubicle 7's site notes that preorder of the physical product from the publisher includes a free PDF of the product.

I received the PDF of 'The Heart of the Wild' from Cubicle 7 (via RPGNow.com). The book should be invaluable to Loremasters who want to create their own adventures in the Wilderland encompassed by the Vales of Anduin, the Grey Mountains, and Mirkwood Forest. New allies and foes are detailed, as are such locations as Rhosgobel, Thranduil's Halls, various Woodmen settlements and the fortress of Dol Guldur. Tweaks to existing Adventurer templates allows players to play Wild Hobbits of the Vales of Anduin or Wayward Elves (a variation of the Elves of Mirkwood). The information on a couple of new Adversaries is sketchy, but will be further detailed in the upcoming 'The Darkening of Mirkwood' campaign. The actual book is gorgeous. The 128-page hardcover has glossy pages and is nicely bound. Cover and internal art is beautifully moody and effective.

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[A434.Ebook] Get Free Ebook Bridges: The science and art of the world's most inspiring structures, by David Blockley

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Bridges: The science and art of the world's most inspiring structures, by David Blockley

Bridges: The science and art of the world's most inspiring structures, by David Blockley



Bridges: The science and art of the world's most inspiring structures, by David Blockley

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Bridges: The science and art of the world's most inspiring structures, by David Blockley

Bridges touch all our lives - every day we are likely to cross a bridge, or go under one. How many of us stop to consider how the bridge stands up and what sort of people designed and built something so strong?

Bridge building is a magnificent example of the practical and every day use of science. However, the story of bridges goes beyond science and technology, and involves issues relating to artistic and cultural development. After all, bridges are built by people, for people. Bridges can be icons for whole cities; just consider New York's Brooklyn Bridge, London's Tower Bridge, and Sydney's Harbour Bridge. Such bridges can be considered functional public art, as they have the power to delight or be
an eyesore.

David Blockley explains how to read a bridge, in all its different forms, design, and construction, and the way the forces flow through arches and beams. He combines the engineering of how bridges stand up with the cultural, aesthetic, and historical importance they hold. Drawing on examples of particular bridges from around the world, he also looks in detail at the risk engineers take when building bridges, and examines why things sometimes go wrong.

  • Sales Rank: #354473 in eBooks
  • Published on: 2010-02-25
  • Released on: 2010-02-25
  • Format: Kindle eBook

From Publishers Weekly
Starred Review. In this fascinating exploration for lay readers, Blockley lucidly explains both the basic forces at work on every bridge—tension, compression, and shear—and the structural elements combating those forces: beams, arches, trusses, and suspension cables. He succeeds in his desire to read a bridge like a book. Following fellow civil engineers and writers David Billington and Henry Petroski, Blockley makes clear that engineers as much as architects and scientists design bridges and that technology is not merely applied science. The author provides an excellent history of bridge construction, from primitive rope bridges and Roman aqueducts to 19th- and 20th-century railroad bridges and contemporary achievements like Japan's Akashi-Kaiky Bridge, which has the largest central span of any suspension bridge. The author also discusses important bridge failures and the lessons learned from them, including the Minnesota I-35 bridge, and the less seriously damaged London Millennium Bridge, which was closed for two years after opening day's huge crowds caused wobbling. Blockley concludes that bridges do not merely transport people and goods but also help us express some of our deepest emotions. Bold, insightful statements help make this a remarkable work. 50 b&w illus. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Bridges vault valleys and leap rivers, but how? British civil-engineering professor Blockley answers in this “attempt to help nontechnical readers understand the technical issues bridge builders have to face.” Emanating from the engineer’s abiding anxiety to ensure against structural failure, such issues are successfully clarified in the author’s engaging presentation. Essentially, the bridge engineer calculates the physical forces acting on the materials and shapes used to construct a bridge, but, as Blockley iterates throughout, engineering knowledge about how a bridge will perform has finite or indeterminable dimensions. The bridge collapses he describes were typically caused by some previously unrecognized behavior, and the collection of behaviors learned through bridge-building experience infuses Blockley’s arrangement of bridges into four classifications—beams, arches, trusses, and suspensions. If we cross bridges unmindful of the forces they tame, Blockley’s text, sketches, simple equations, and photographs instill appreciation for a physical dynamism that the engineer aspires to control. Also discussing the architectural beauty of bridges, this is a model explanation of technological design for a general audience. --Gilbert Taylor

Review
David Blockley expertly describes the processes, relationships, materials and philosophies of engineering. Hugh Pouliot, Canadian Geographic Engaging and thoughtful book. Bridges deserve our attention. David Rooney. History Today

Most helpful customer reviews

19 of 20 people found the following review helpful.
A fascinating introduction to the world's bridges for the general reader
By Michael from Bristol
This book is written by a professor of engineering, but with the general reader in mind. Although it deals with technical matters, these are presented in a way that does not require a high level of mathematics or physics. It has 50 illustrations including many magnificent photographs.

The structure of the book is as clear as the structure of the bridges that it discusses. After an introductory chapter it considers the four main types of bridge in turn; beams, arches, trusses, and suspension. It then considers the question of safety, and finally the development and maintenance of bridges as team work.

Bridges are considered as works of art as well as civil engineering, and the book is very rich in references to other arts and to culture in the widest sense, with references to Newton, Kant, Michelangelo, Giotto, Palladio, Herodotus, Tracey Emin, Antony Gormley, and many others. David Blockley also considers bridges as symbols, icons, landmarks, and as objects of inspiration.

There are fascinating sections on many celebrated bridges including the wobbly Millennium Bridge, the Clifton Suspension Bridge, the Salginatobel Bridge, and the Millau Viaduct.

This is also a book that could be of value to schools. It brings maths and physics to life, and could be a vehicle for taking students on trips to visit bridges to see how these disciplines are used in practice in ways that are important as transport links as well as being imaginative and inspirational.

6 of 7 people found the following review helpful.
Not an easy read
By Dr. B. W. Langer
Thank goodness I had an engineering course 50 yrs. ago. This was not a book for the lay reader. It was poorly organized - facts mixed with philosophy -- what a mix!!! Book needed more and better illustrations.

I would definately not recommend this book for the person seeking a basic understanding of bridges. Sorry - If you have a math/civil engineering background , you'll survive the book otherwise you won't.

2 of 2 people found the following review helpful.
Eye-Opening
By Tritia James
I sometimes read books on a subject in which I don't feel any particular interest and know very little about, just to deepen my understanding of the world, and to see if perhaps it is an interesting subject once you take the time to consider it. That is why I picked up this book, along with several other books about bridges. This is the book that caught my imagination. It was so fascinating! I love how this author was able to take what could be a lot of dry facts about physics, materials, and construction and weave them into such a beautiful "story" about the who/what/where/when/how of bridges. No, I didn't understand every one of the physics concepts, but it didn't take away from the enjoyment of the book. Also, there were many concepts that I did understand thanks to the wonderful analogies the author used to illustrate them. I also saw that the physics of a bridge is a huge part of what makes a bridge a thing of beauty and wonder. I would suggest reading this book while simultaneously looking at a book of well-done color photographs of the bridges that are discussed in this book. Up till now, I've never even considered the bridges I've crossed. But now that I have a basic understanding of bridges, I will certainly notice them. And knowing how to look at them, I will certainly see their brilliance and beauty. Any book that increases my sense of wonder at some aspect of our world gets five stars!

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