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  • Published on: 2014-06-05
  • Binding: Paperback

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miércoles, 20 de febrero de 2013

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This book features one of the ancient Slavic writing systems - Bukvitsa. It explains the images and forms of this writing system and briefly goes over other writing systems of the ancient Slavic culture.

  • Sales Rank: #3470751 in Books
  • Published on: 2015-06-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .18" w x 6.00" l, .26 pounds
  • Binding: Paperback
  • 70 pages

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lunes, 4 de febrero de 2013

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  • Published on: 1605
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jueves, 24 de enero de 2013

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  • Sales Rank: #8549079 in Books
  • Brand: Brand: Bloomsbury Academic
  • Published on: 2011-06-21
  • Released on: 2011-06-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.00" w x 6.00" l, 1.25 pounds
  • Binding: Hardcover
  • 240 pages
Features
  • Used Book in Good Condition

About the Author
Includes contributions from over twenty leading academics and practitioners: Amarendra Swarup, a partner at Pension Corporation, a UK-based pension buyout firm; Aswath Damodaran, professor of finance at the Stern School of Business at New York University, U.S.; Moorad Choudhry, Head of Treasury, Europe Arab Bank, UK; and Jos van Bommel, associate professor at CEU Cardenal Herrera University, Valencia, Spain.

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Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened, by Allie Brosh

#1 New York Times Bestseller

“Funny and smart as hell” (Bill Gates), Allie Brosh’s Hyperbole and a Half showcases her unique voice, leaping wit, and her ability to capture complex emotions with deceptively simple illustrations.

FROM THE PUBLISHER:
Every time Allie Brosh posts something new on her hugely popular blog Hyperbole and a Half the internet rejoices.

This full-color, beautifully illustrated edition features more than fifty percent new content, with ten never-before-seen essays and one wholly revised and expanded piece as well as classics from the website like, “The God of Cake,” “Dogs Don’t Understand Basic Concepts Like Moving,” and her astonishing, “Adventures in Depression,” and “Depression Part Two,” which have been hailed as some of the most insightful meditations on the disease ever written.

Brosh’s debut marks the launch of a major new American humorist who will surely make even the biggest scrooge or snob laugh. We dare you not to.

FROM THE AUTHOR:
This is a book I wrote. Because I wrote it, I had to figure out what to put on the back cover to explain what it is. I tried to write a long, third-person summary that would imply how great the book is and also sound vaguely authoritative—like maybe someone who isn’t me wrote it—but I soon discovered that I’m not sneaky enough to pull it off convincingly. So I decided to just make a list of things that are in the book:

Pictures
Words
Stories about things that happened to me
Stories about things that happened to other people because of me
Eight billion dollars*
Stories about dogs
The secret to eternal happiness*

*These are lies. Perhaps I have underestimated my sneakiness!

  • Sales Rank: #1571 in Books
  • Brand: Touchstone
  • Published on: 2013
  • Released on: 2013-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.50" l, 1.50 pounds
  • Binding: Paperback
  • 369 pages
Features
  • Used Book in Good Condition

Amazon.com Review

An Amazon Best Book of the Month, November 2013: Who among us has not, in moments that sometimes bleed through years, even decades, felt weird, desperate, and absurd--wishing we could turn all the lamest, most shameful episodes in our lives into hilarious illustrated anecdotes? If youre one of the millions hanging on Allie Brosh's every blog post, you already know you'll love Hyperbole and a Half in book form, especially since half its hyperboles are new. If you're suspicious of books because you live in a world of the INTERNET FOREVER, this is where you make an exception. If you just stumbled across Brosh and can't yet grasp the allure of a Web comic illustrated by rudimentary MS Paint figures, believe the hype. Brosh has a genius for allowing us to channel her weird childhood and the fits and starts of her adulthood through the manic eyes, gaping mouths, and stick-like arms in the panels that masterfully advance her stories, and she delivers her relentless commentary with deadpan hilarity. Neurosis has rarely been so relatable and entertaining. --Mari Malcolm

Guest Review of Hyperbole and a Half

By Bill Gates

Bill Gates is a technologist, business leader, and philanthropist. He grew up in Seattle, Washington, with an amazing and supportive family who encouraged his interest in computers at an early age. He dropped out of college to start Microsoft with his childhood friend Paul Allen. He married Melinda French in 1994 and they have three children. Today, Bill and Melinda Gates co-chair the charitable foundation bearing their names and are working together to give their wealth back to society. This review originally appeared on Bill’s personal blog the Gates Notes on May 19th, 2015.

Some of the books I’ve recommended as summer reads really aren’t. They’re long nonfiction books that might look a little out of place beside the pool or on the beach.

But Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things that Happened , by Allie Brosh, is an honest-to-goodness summer read. You will rip through it in three hours, tops. But you’ll wish it went on longer, because it’s funny and smart as hell. I must have interrupted Melinda a dozen times to read to her passages that made me laugh out loud.

The book consists of brief vignettes and comic (in both senses of the word) drawings about Brosh’s young life (she’s in her late 20s). It’s based on her wildly popular website.

Brosh has quietly earned a big following even though, as her official bio puts it, she “lives as a recluse in her bedroom in Bend, Oregon.” The adventures she recounts are mostly inside her head, where we hear and see the kind of inner thoughts most of us are too timid to let out in public. Despite her book’s title, Brosh’s stories feel incredibly—and sometimes brutally—real.

I don’t mean to suggest that giving an outlet to our often-despicable me is a novel form of humor, but she is really good at it. Her timing and tone are consistently spot on. And so is her artwork. I’m amazed at how expressive and effective her intentionally crude drawings are.

Some of Brosh’s stories are funny without being particularly meaningful, such as her tales about her two dogs and their humorously illogical inner thoughts. Here’s a typical snippet: “To the simple dog, throwing up was like some magical power that she never knew she possessed—the ability to create infinite food. I was less excited about the discovery because it turned my dog into a horrible, vomit-making perpetual-motion machine.”

And here’s a typical illustration:

But her best stuff is the deep stuff, especially the chapters about her battles with severe depression. There is a lot of self-revelation here but no self-pity. She brings the same wit to this subject as she does to her stories about her dogs—even if it makes the reader more likely to tear up than crack up.

Here’s a typical snippet that follows a riff about feeling suicidal and not quite knowing how to let loved ones know about these feelings:

I suspect that anyone who has experienced depression would get a lot out of reading this book. The mental illness she describes is profoundly isolating: “When you have to spend every social interaction consciously manipulating your face into shapes that are only approximately the right ones, alienating people is inevitable.” It must be empowering for those who have struggled with depression to read this book, see themselves, and know they’re far from alone.

It might be even more valuable for those who have a friend, colleague, or family member who has experienced depression. Hyperbole and a Half gave me a new appreciation for what a depressed person is feeling and not feeling, and what’s helpful and not helpful. Here’s a good example: “People want to help. So they try harder to make you feel hopeful…. You explain it again, hoping they’ll try a less hope-centric approach, but re-explaining your total inability to experience joy inevitably sounds kind of negative, like maybe you WANT to be depressed. So the positivity starts coming out in a spray—a giant, desperate happiness sprinkler pointed directly at your face.”

I get why Brosh has become so popular. While she self-deprecatingly depicts herself in words and art as an odd outsider, we can all relate to her struggles. Rather than laughing at her, you laugh with her. It is no hyperbole to say I love her approach—looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian.

Review
"I must have interrupted Melinda a dozen times to read to her passages that made me laugh out loud. . . . The adventures she recounts are mostly inside her head, where we hear and see the kind of inner thoughts most of us are too timid to let out in public. Despite her book’s title, Brosh’s stories feel incredibly—and sometimes brutally—real. . . . It is no hyperbole to say I love her approach—looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian." (Bill Gates)

"Imagine if David Sedaris could draw . . . Enchanting." (People (4 stars, People Pick))

Winner of the Goodreads Choice Award for Best Humor Book of the Year
An NPR Best Book of the Year
A Library Journal Best Book of the Year, Memoirs (.)

“I would gladly pay to sit in a room full of people reading this book, merely to share the laughter.” (Philadelphia Inquirer)

"My wife, who rarely reads a book published after 1910 and who is difficult to make laugh, wept with pleasure while reading these comic illustrated essays from Ms. Brosh, who runs a popular web comic and blog. I had to find out what the fuss was about. The subjects run from light (cakes, dogs) to dark (the author’s own severe depression), and they foreground offbeat feeling and real intellect. Ms. Brosh’s inquisitive mind won me over, too.” (Dwight Garner New York Times)

“In a culture that encourages people to carry mental illness as a secret burden . . . Brosh's bracing honesty is a gift.” (Chicago Tribune)

“Brosh captures humanity at its simultaneous worst and best with a razor wit that allows us to laugh at even our darkest of selves.” (The Advocate (Baton Rouge))

"Will make you laugh until you sob, even when Brosh describes her struggle with depression." (Entertainment Weekly)

"This is the BOOK OF THE YEAR." (Elizabeth Gilbert)

“One of the best things I’ve ever read in my life.” (Marc Maron)

"This book made me laugh, cry, and leak. It was honest, poignant, and ridiculously silly in all the best ways and I'm better for having read it. Plus, doggies!" (Jenny Lawson, The Bloggess and author of Let's Pretend This Never Happened)

"An Internet-era treasure, an unexpected wonder of the 21st century." (Cory Doctorow, BoingBoing.com)

“Brosh is a connoisseur of the human condition.” (Kirkus Reviews)

"Brosh is an evocative writer who bares her foibles and shortcomings, from childhood to her present life, with a lack of vanity and a sense of catharsis that is palpable." (Publishers Weekly)

“Get this for the smart people who appreciate humor in your life, and they won't be disappointed." (io9.com)

“The whole blog is inspired.” (Andrew Sullivan, The Daily Dish (The Atlantic))

“Anyone seeking an accessible look at someone suffering from depression or some really delightful dog drawings need search no further.” (Time Out New York)

About the Author
Allie Brosh is the author of the #1 New York Times bestseller Hyperbole and a Half, which was named the Goodreads Choice Award Winner for Best Humor Book of the Year. Brosh has also given herself many prestigious awards, including “fanciest horse drawing” and “most likely to succeed.” HyperboleandaHalf.blogspot.com

Most helpful customer reviews

901 of 954 people found the following review helpful.
People who should buy this book.
By E. Collins
1. People who own dogs.
2. People who suffer from or who have loved ones who suffer from depression.
3. People who want to know what it feels like to have beverages snarfed through their nose(s?).
4. People with a sense of humor.
5. People who know how to order things on amazon.
6. People who are familiar with Allie's site and thus already know some of the content and are ok with that because it still makes them snarf beverages through their nose(s?)
7. People who did not preorder this book and so are not now reading it like I am.
8. People who are unfamiliar with the behaivior of geese and/or enjoy cake.
9. People who like books that are color coded instead of numbered to delineate beginnings and endings.
10. People who are not dead.

349 of 373 people found the following review helpful.
This book is way better than cigarettes.
By Lac
I got the book this morning, and as I was hobbled by pain from an ACL surgery and unable to take painkillers because they would make me loopy at work, instead I read this all day. (Shhhhh. It is okay. I also helped customers.)

There are a million things I love about this book, but I can start with the fact that each chapter is printed on different-colored pages than the ones on either side of it, which makes the book look like a rainbow when it is closed. A RAINBOW, GUYS.

The Depression chapters (previously published on her blog) are revelations to those who have experienced depression and touchstones of understanding for those who have not. The Dog chapters are hilarious to both dog-lovers and cat-lovers (AKA dog haters). The chapters that peek into her childhood make me wish I remembered anything about my life before I was twelve. But you know what? I'm going to take a page from this book, and just imagine that my childhood was just as fantastical, wild, revelatory, unintentionally hilarious, and unique.

Yes, there are a few chapters that are repeats from the blog. Sadly, the fish incident did not make it... that one is still my favorite. But the ones that did make it are definitely worth the re-read. Also, the majority of the book is new material, including some introspective chapters ("Thoughts and Feelings" and the two-part "Identity" chapters). Those, to me, were the best ones of the whole book. I love that the author is so freaking honest (can you swear on Amazon? Imma go with no) about EVERYTHING. She holds this mirror up to her guiding principles and then picks everything apart until she's left with this uncivilized and selfish husk, which she then covers up in a sparkly jumpsuit to make it all better. WHICH IS SOMETHING WE ALL DO. We're all basically uncivilized and selfish. But this author has the guts to admit it.

YOU ARE BRAVE, ALLIE. YOU ARE.

I feel strangely proud of the author for producing this book. Proud like a father, even though she is no relation to me and I have never really met her. I want to give her all the gold stars possible. If there were more than five available for this review, I would have gone with more than five. All the way up to eleventy.

Buy this book. Read it. Go read the blog. Re-read everything. Then buy the book for your friends.

207 of 224 people found the following review helpful.
Give it ALL the stars!
By J. Garner
I've been a fan of Allie Brosh's (Allie? Can I call her Allie? Is that weird?) blog for years now, so I was never not buying her book. Her blog is less a series of wordy posts about what happened that day and more comic strip about fish murders, spiders, spaghatta nadles, and the single strangest childhood since Drew Barrymore's.

Her book? It's an offline edition of her blog. So in other words, it's just about perfect. Some new...chapters? Posts? What do you even call these? Anyway, parts of the book are new, others are from the blog, all put together in something approaching a coherent narrative. I'm not terribly upset about blog posts being included in the book. It wouldn't make sense without some of them, and some others are just so good and so well-known that to leave them out would make the book incomplete.

It's much bigger than I had expected, containing a good eighteen chapterposts from 10 to 50 pages long each, but that doesn't matter because you'll read the whole thing in one sitting if you're not a communist. The first chapter alone has swearing at a two-year-old, time travel, and nudity of the most gratuitous sort. In that order.

The thing about this book (and Allie's blog) is...beyond the laughs, she's actually really good. Her two posts on what depression is like (both included here) are the best explanations I've ever seen. And what look initially like simple stick figure drawings are actually surprisingly detailed illustrations that convey a full range of emotion. The art is good, the stories are fantastic, and her telling of them is what makes it all work. Most importantly of all, the cover is a pleasing shade of yellow.

Buy a copy for yourself. Buy one for the office, one for the house, one to keep in the gentleman's closet, one for your neighbors, one for everyone you know for Christmas. You'll like it, they'll like it, it'll class up both your workplace and your toilet.

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miércoles, 16 de enero de 2013

[B400.Ebook] Fee Download Cognitive Approaches to Old English Poetry (Anglo-Saxon Studies), by Antonina Harbus

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Cognitive Approaches to Old English Poetry (Anglo-Saxon Studies), by Antonina Harbus

"A major, thoughtful study, applying new and serious interpretative and critical perspectives to a central range of Old English poetry." Professor John Hines, Cardiff University Cognitive approaches to literature offer new and exciting ways of interpreting literature and mentalities, by bringing ideas and methodologies from Cognitive Science into the analysis of literature and culture. While these approaches are of particular value in relation to understanding the texts of remote societies, they have to date made very little impact on Anglo-Saxon Studies. This book therefore acts as a pioneer, mapping out the new field, explaining its relevance to Old English Literary Studies, and demonstrating in practice its application to a range of key vernacular poetic texts, including Beowulf, The Wanderer, and poems from the Exeter Book. Adapting key ideas from three related fields - Cognitive Literary/Cultural Studies, Cognitive Poetics, and Conceptual Metaphor Theory - in conjunction with more familiar models, derived from Literary Analysis, Stylistics, and Historical Linguistics, allows several new ways of thinking about Old English literature to emerge. It permits a systematic means of examining and accounting for the conceptual structures that underpin Anglo-Saxon poetics, as well as fuller explorations, at the level of mental processing, of the workings of literary language in context. The result is a set of approaches to interpreting Anglo-Saxon textuality, through detailed studies of the concepts, mental schemas, and associative logic implied in and triggered by the evocative language and meaning structures of surviving works. Antonina Harbus is Professor in the Department of English at Macquarie University, Sydney, Australia.

  • Sales Rank: #5064793 in Books
  • Brand: Brand: D. S. Brewer
  • Published on: 2012-08-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x .70" w x 6.20" l, 1.20 pounds
  • Binding: Hardcover
  • 222 pages
Features
  • Used Book in Good Condition

Review
Offers fresh approaches to understanding the contemporary reception of Anglo-Saxon poetry and modern encounters with these texts. YEAR'S WORK IN ENGLISH STUDIES Cognitive Approaches to Old English Poetry marks an ambitious foray by Anglo-Saxonist Antonina Harbus into new realms of analysis afforded by the "cognitive approaches" of her title. It will be of particular interest to those who want to understand the implications of current trends in literary study to embrace the terms and ideas of cognitive science. THE MEDIEVAL REVIEW

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lunes, 7 de enero de 2013

[R259.Ebook] Free PDF Arguing with God: A Jewish Tradition, by Anson Laytner

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Arguing with God: A Jewish Tradition, by Anson Laytner

As an old proverb puts it, 'Two Jews, three opinions.' In the long, rich, tumultuous history of the Jewish people, this characteristic contentiousness has often been extended even unto Heaven. Arguing with God is a highly original and utterly absorbing study that skates along the edge of this theological thin ice_at times verging dangerously close to blasphemy_yet also a source of some of the most poignant and deeply soulful expressions of human anguish and yearning. The name Israel literally denotes one who 'wrestles with God.' And, from Jacob's battle with the angel to Elie Wiesel's haunting questions about the Holocaust that hang in the air like still smoke over our own age, Rabbi Laytner admirably details Judaism's rich and pervasive tradition of calling God to task over human suffering and experienced injustice. It is a tradition that originated in the biblical period itself. Abraham, Moses, Elijah, and others all petitioned for divine intervention in their lives, or appealed forcefully to God to alter His proposed decree. Other biblical arguments focused on personal or communal suffering and anger: Jeremiah, Job, and certain Psalms and Lamentations. Rabbi Laytner delves beneath the surface of these 'blasphemies' and reveals how they implicitly helped to refute the claims of opponent religions and advance Jewish doctrines and teachings.

  • Sales Rank: #1748813 in Books
  • Brand: Brand: Jason Aronson, Inc.
  • Published on: 1977-07-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x 1.14" w x 6.42" l, 1.47 pounds
  • Binding: Hardcover
  • 336 pages
Features
  • Used Book in Good Condition

Review
Anson Laytner has explored the anguish of the believer with moving eloquence and passion. (Elie Wiesel)

In this age after the Holocaust, Anson Laytner's book speaks with extraordinary force. This survey of the tradition of 'arguing with God,' one of the most distinctive and inspiring elements in Jewish faith, covers a wealth of neglected or undiscussed sources. He shows clearly that this unique perspective runs through the seams of Jewish religion and history from the Bible down to today. Written with scholarship, sensitivity, and even humor, this book will richly reward all its readers. (Rabbi Irving Greenberg, president of CLAL, the National Jewish Center for Learning and Leadership)

This is a book that needed to be written. Anson Laytner has brought together familiar and unfamiliar material and analyzed it historically and theologically. The sources that Laytner has assembled have a power and a relevance that leap out from the page. (Modern Judaism)

About the Author
Anson H. Laytner is Director of the Jewish Federation Community Relations Council of Greater Seattle. He is the editor of Points East, the periodical of the Sino-Judaic Institute, and has written The Wheels of Observance: A Growth Guide to the Jewish Holidays. His articles have appeared in Conservative Judaism and the Middle East Review. Rabbi Laytner lives in Seattle, Washington, with his wife and three daughters.

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16 of 16 people found the following review helpful.
A CHALLENGING AND MUCH NEEDED WORK
By A Customer
Arguing With God: A Jewish Tradition provides a much needed scriptural and historical basis for a theology of protest. After the Shoah, and in a world where new violence is all too frequent, some find the accepted ways of thinking about and dealing with God inadequate. Laytner provides another option for those who find the other models of faith inadequate or impossible. He grounds his work in scripture and in tradition, showing that arguing with God does not represent such a radical break from the past. It also rooted in the idea that we must defend those who are unjustly suffering, and this is a much needed ethic in our world. Whether or not you end up pursuing this tradition yourself, Laytner's book is a must for anyone interested in exploring ways of thinking about God and being religious in a world of suffering.

10 of 10 people found the following review helpful.
An inspiring and insightful work
By Shalom Freedman
This work shows that there is a long Jewish tradition of addressing, and contending with G-d. In face of the evils of the world the Jew is not simply silent and accepting but dares to question G-d. This is true in the Psalms, and in Job as it is later true with Rabbi Yitzhak Levi of Berditchev, and l'havdil Elie Weisel.

The profound idea that one comes closer to G-d, even when one dares to challenge G-d is one central theme of this very important work. Reading it one understands how one can remain a believing Jew while crying out against the evils of the world, and asking G-d, "Why?"

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